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I Ain’t Skeered…

October 24, 2016 By Lynne

Is there anything scarier to an author than a blank page?
Define scary. Like being shot at scary, alone at midnight when you hear a noise in the house scary, or gas station sushi scary. Those are the editor type of scary.

Fear of the blank page isn’t really a problem for me. I think it falls under the annoyance level of things. Like fasting before bloodwork and finding a line at the lab when you get there. The page is just someplace to document the BS that rolls around in my head. It may hold a grocery list, a letter to a friend, or a great story idea. It also may be the repository for the garbage that I need to get out of my head.

Story ideas are a bit like those pre-printed grocery lists. I don’t need coffee every time I go to the store… wait… that’s a bad example. I don’t need flour or eggs every time I go to the store. But they’re on that pre-print list for the time you do need them. I have a list of story ideas that I’ve thought of over the years, but most of them are just that—ideas. Without characters and plots they aren’t really anything:
Girl meets boy
Fish out of water
Damsel in distress

Only mine are more like:
Embassy guards that are special ops – Girl meets boy
Musician/murder witness has to be stashed on a ranch – Fish out of water
Genealogist being stalked by crazy biker hitman – Damsel in Distress

They became:
The Embassy Guard
No Safe Haven – coming soon
A Shared Fear

For me, it all comes down to finding the right connection between people and plot. None of these were fully formed concepts when I started. They were ‘What if this happened?’ concepts.

The other day I thought about the female lead and tried to find two things that would work together: a job and a reason for that job to have put her in danger. I don’t want to write another cop—the last two standalones are cops and they’re a lot of work to get right. While almost anyone can be in danger from something they saw, I just finished a ‘witness in danger’ book, so the next person needs to have been caught up in something at work. Finding something different and interesting is where the issues occur.

Plus, it needs to be plausible… yeah… always an issue. I now have a character, a job, and a reason for her to be in danger. That’s a concept and I can now work out the plot and the timeline. I’m seven days away from NaNo and I’m hopeful that I’ll have the plot worked out by then.

Now comes the scary part—actually writing the damn thing. Onward!

Filed Under: Writing Tagged With: NaNo

NaNo 2016

October 19, 2016 By Lynne

Well, here we are again closing in on November and another National Novel (NaNo) Writing Month (WriMo). This is when normally rational authors go completely stupid and attempt to write a novel of 50,000 words or more in 30 days. Yeah… it’s a pretty damn dumb thing to do but everyone needs to show their professional idiocy every once in a while.

It’s been a few years since I approached NaNo with a new project in mind. For the last four years, I’ve gone into NaNo with a project already in progress or as a jump start to a book that would take several months to write. The last time I did this as a standalone start-to-finish project was to write Saving Emily in November 2011. I wrote the entire basic draft of that novel in the 30-day window. It took a couple months of rewrites and edits to be ready for publication, but the basic book was accomplished in November.

When I got up this morning, I had no intent to participate in NaNo. I have two books in beta and edit and Blood Link VIII in progress. Truth be told, I also had no standalone in mind. Nothing. Nada. Zip. Seriously, not a clue. I lamented that fact and in the course of a conversation, I decided a walk and a nap were in order. I took the walk and didn’t come up with anything, but when I stretched out for the nap, I closed my eyes and wished I was still on the gulf coast and taking a walk at the surf’s edge.

Just that quick, there it was. I knew where the book would be set and I saw the two people involved. I got up and ran for my laptop. Within an hour, I’d worked out the premise and I have the basic story.

Unnamed NaNo Novel – 2016

Lisa Piper works from home. She ghost writes autobiographies for military people and edits novels. She prefers suspense, but seems to be stuck with a lot of romance lately. That’s okay, it all pays the bills even if it leaves her feeling like a bit of a failure in her personal life. She’s divorced, and though she hates her ex, an abusive drunken former deputy sheriff, she’s not a man-hater in general. She’s stopped looking though and wants nothing more than to be left alone. Her ex-husband Clint is out of prison and not a happy camper. She’s not hiding but she’s worried. He’s crazy violent and hates her for putting him in prison She’s a former weapons instructor for the county and struggles with sleeping through the night. She’s not able to move on. She also doesn’t know how the hell she’s become almost 50 years old. She has one son in the military – typical boy child who calls every couple of weeks if he thinks of it. She’s a solid, hard shell over a pretty soft interior.

Henry Allen (Skip) Green is a walking disaster. He’s a retired Army Master Sergeant who spent his life in Special Forces. He’s had way too many tours, plus a butt load of covert work in South America. He’s lean, mean, covered with scars, and at a loss about what to do now. He’s been clean of opiates for almost a year, but he’s struggling with pain from some damage from his last trip into S.A. He’s pretty sure his active days in the field are over now and he’s going to be relegated to planning and logistics. That’s great money, but not exactly how he saw his life. Skip is staying at his friends place for a couple weeks while he rehabs. He’s mulling an offer from one of the “learn tactics” schools that his old friend runs. He’s divorced with a boy and a girl in their 20s. They check-in but everyone is doing their own thing, and he doesn’t want to intrude. They get along, but he was an absentee Dad and his ex made sure the kids knew it.

Trouble:
The author of the book she’s editing told secrets and he’s been murdered. Someone wants that manuscript back. They are willing to kill to get it. She has it both in hard copy and on disc. Clint is also back and she’s pretty sure he’s stalking her, but she can’t prove it and doesn’t want to be the woman who cries wolf. It’s going to get bad and bloody, but Skip knows how to manage that kind of problem.

Lisa Ann Jackson Piper, 48 (12 Jun 1968), blondish, pony-tail, blue/grey eyes, 5-6, 135 pounds, athletic, energetic, coffee, wine, independent, resilient.

Henry Allen “Skip” Green, 51 (14 Jan 1965), dark hair going gray, brown eyes, 5’-11”, 200 pounds, rangy, kind of moody, coffee, laying off the hard stuff, battle scarred, weary, lonely.

Now to get the plot and chapter chart ready so I can figure out what happens when. C’mon, November. I’m ready.

Filed Under: Writing Tagged With: NaNo

I’m Sorry I Can’t Read This

September 10, 2016 By Lynne

In the last three weeks, I have been asked to read four different things for friends. I’m generally happy to do so. Lord knows that plenty of people help me out, so I’m happy to do the same. However, after returning two books without getting past the opening chapters, I find that I need to establish some guidelines just to prevent any misunderstanding between myself and the person asking me to read. I truly do care about your writing and I want to be supportive, but I have to step back from certain subjects.

There are certain things that I simply WILL NOT read.

There have always been things that I chose not to read. Everyone has their likes and dislikes. I’ve tried reading most everything at one time or another, and learned what works for me and what doesn’t. Some of it is genre, some of it is story, and some of it is location.

Genre –
I’ll read almost any genre. I’m not nuts about pure romance or historical romance, but I don’t hate it and will do it for friends and family.
Supernatural – I really, really, really don’t like zombies – except the ones in Shaun of the Dead. Don’t send me your zombie book.
Religion – No snake handling and I’m creeped out by Voodoo and those guys that ripped out hearts in the second Indiana Jones movie. Not my thing. Don’t send me that stuff.

Location
I don’t really care to read stories set in:
Africa – I don’t mind North Africa. I actually like stuff set in Egypt, but I don’t like stuff set in South Africa or the Congo, and with the exception of Tarzan, I’m not into jungle settings.
South America – and definitely nothing in the Amazon. Giant freaking snakes and spiders are an absolute no-go. I couldn’t watch large chunks of the second Harry Potter movie with all those spiders.
Some areas of Europe & Russia: Sweden/Finland/Norway/Siberia – it’s all the freaking snow and unpronounceable names – don’t judge. Albania/Bulgaria – Maybe I read/saw too many 50s cold war stories and these two places always freaked me out.

Story:
I won’t read books where the primary story line is about:
Crimes Against Children – NO! NO! NO! Don’t send it to me – even if it’s free I won’t look.
Sex Crimes – I’m not reading an entire story (either fiction or non-fiction) about some poor person’s assault no matter how well written.
Human Trafficking – It horrifies me. I will not spend time with it.
Animal Abuse – I don’t need to read an entire story about taking down a dog fighting operation.
Reptiles – Don’t be trying to get me to read Anaconda.

Don’t misunderstand – all authors touch on these things. I don’t mind if the bad guy is known to do these things. I don’t mind if an author has a victim of one of these thing. I do mind if the entire damn book is about one of these themes. I don’t want to read pages of history about the crime and what the police are now doing to stop it. I don’t want to read a book (no matter how compelling the writing) where the entire story is about some hero who is saving some poor woman from being a sex slave or attends ten dog fights so he can save all the dogs. Nobility isn’t enough for me to read about these things. I DO NOT want to dwell on the above subjects. Please DO NOT ask me or be hurt by my refusal to play.

If anything, an author should be thrilled that I’m not critiquing or commenting on something I already have a negative attitude about. Trust me, I’m not that freaking objective.

Yes, I do understand that the true stories written by some of the survivors of the above events are excellent and even uplifting. There are at least ten books out there about the Ariel Castro case and I admire and respect the authors and the survivors who are telling their stories, but I can’t read about those horrors. Those things make my heart hurt.

If you’re reading this blog then you’ve probably read my books. I touch on a lot of these subjects in my stories, but I never dwell on them. I don’t write in depth about any one of these things, and I have never made them the sole focus of a book and never will.

I’m not offended when someone tells me they don’t care to read my vampire books. I get it. There are too many great novels filled with stories we do want to read to be willing to spend any time on subjects that are a turn off. Choose wisely and enjoy what you read. By the same token please don’t be offended when I chose not to read your book about one of the above.

Thanks for understanding and respecting my choices as I respect yours. Yes, I still want to be friends.

Filed Under: Writing

Q & A From The Embassy Guards

September 5, 2016 By Lynne

Q – Is it true that this book was originally conceived as a straight-up romance?

A – A very nice editor for a romance publisher contacted me after reading Protecting Parker and asked if I’d be willing to try writing a book for them. They were interested in a “fish out of water” story. You know the type – rich alpha male falls in love with poor shop girl and romantic problems ensue. She thought it might be interesting if the female was military. I gave the idea some serious thought for about two weeks and even wrote an opening chapter to go in that direction. But I quickly found myself wandering off topic and wondering what would happen if they weren’t really embassy guards, but a special ops team. What if there was a bomb at an embassy party? What if this was about an attempt to steal a new weapon? What if…What if… What if… And that was the end of the standard romance novel. I just couldn’t do it. I enjoy a good love story, but only if there are plenty of explosions and small arms fire to go along with it.

Q – How did you decide on the type of terrorist group?

A – In talking over the premise with a friend, I mentioned that I was going to set off a bomb at an embassy event in London and, out of the blue, she asked if they were part of the LeT organization. She’d just finished reading a book about the Mumbai bombings and it seemed like a possibility to her because there is a large Pakistani population in London. Her question sent me in search of more information and the next thing I knew, I had the terrorists, the plot and the plan.

Q – Were you worried about the plausibility of the Marines doing some of these things in London?

A – Not really. Putting them with the British Marines in a joint mission made this work. We put boots on the ground in many places so why not work together with our allies. There are a lot of documentaries about the FBI and DEA working in foreign countries, so I just modeled this on that concept. I also know of several military members who served in joint service assignments with foreign military units. Who knows what we have people doing where?

Q – Your side characters are often unique and interesting and become quite endearing. Where did the idea for Geoff come from?

A – I was waiting for my appointment at the VA one day, and I sat next to a man who was heavily scarred. He’d been burned aboard a ship in World War II. He was utilizing the old style hook prosthetic for his left hand. Across from us was a young man who’d been wounded in Iraq, and he was learning to use his newer style prosthetic. They were comparing notes, and I was fascinated by the openness as they discussed the differences. The older veteran had the liveliest eyes and was incredibly engaging. As usual, the doctors were running behind, so we spent almost 45 minutes together in that waiting room. It was an amazing experience for me. I asked a lot of questions and they both willingly shared their experiences. This happened at about the same time that Sergeant First Class Leroy A. Petry received his Medal of Honor. He’s using the newer generation prosthetic that allows him to grip and squeeze properly. It was big news when he shook the president’s hand utilizing his prosthetic.

Q – Several of your books touch on the subject of sexual harassment and assault in the military. Will this continue to be a theme?

A – Only if it specifically serves the story. I don’t have any hidden agendas or particular desire to write about the subject. There will always be those (inside the military and out) who abuse their authority or wish to impose their will on someone else. If I do approach a subject like this, I try to do so as directly and honestly as possible.

Q – What’s your favorite part of the Embassy Guards?

A – Probably the relationship between C.J. and her parents. I like that her father won’t say goodbye. And her mother is just doing what moms do. I love that her mom is going to yell at someone in the chain of command about her supposedly safe assignment being anything but safe. It becomes a bit of comic relief, but it’s also a very true part of deployed life that the parents are stuck with what they see on the news and don’t know if their kids are part of the news or safely away. All the military beta readers loved that I had these big tough operators digging in their pockets for their phones to call their moms.

Filed Under: Writing Tagged With: The Embassy Guards

The Freaking Process – Getting Stuck!

August 28, 2016 By Lynne

Question: What do you do when you get stuck in a story?

Answer: I run in circles screaming like my hair is on fire and then I drink heavily. My friend Jack Daniels comes over and after a few minutes, it doesn’t matter if I’m stuck. Jack comes up with some wild and crazy ideas, we laugh, and then I take a little nap. It doesn’t usually fix anything, but it passes the time until I can approach the problem rationally.

While most of the things I discuss with my friends don’t make it directly into the books, some things do. When working through the idea of The Embassy Guards, I was struggling with exactly what it was the terrorists wanted from my arms manufacturer. I had a conversation with my friend Dave Dingley who offered the suggestion of a tactical thermobaric weapon utilizing nano fuel. It was perfect. I had no idea what it was, but it sounded impressive as hell. That was a case where an answer raised a lot of questions and I had to go do some research.

In the same conversation via email, Dave then told me exactly why a terrorist organization would love to have that type of weapon. His explanation was anything but politically correct. With his permission, I let my character Boomer share some of Dave’s words. Boomer and Dave have the same attitude.

Talking the problems through often brings me not only good ideas but great insights into my characters. By the time I’d hit the fourth book in the Blood Link series, my friend and beta reader Jennifer Sasnett knew my characters as well as I did. She didn’t hesitate to tell me when I got off course with Essie in a scene. Jennifer reminded me that Essie was a lady from a different generation and was unlikely to curse unless furious or frightened and that the men would respect that and curse less in her presence. She also reminded me that Essie would carry a purse. My characters are rarely dressed in anything other than utilities, battle dress, or blue jeans. When would they carry a purse? As Jennifer pointed out, though, Essie isn’t one of my usual characters. It might seem small, but this discussion stays with me and reminds me to keep my character’s words and behavior true to the character.

In my current work in progress, I’ve been struggling with the bad guy who’s a member of a drug cartel. The story brushes on border security issues and the presence of cartels in the U.S., things that I’m only slightly familiar with. I live in southern Arizona; you’d think I’d know more about those things. But I’ve preferred not to. They’re ugly and frightening to me. Which makes them perfect for writing about. I like writing about the things that evoke a strong feeling. But, writing about them means I have to educate myself on the problem. I started with a great series of article by journalist Brady McCombs and then moved on to more in-depth information. I was amazed at some of the things I learned and at the deep divisions between the organizations who are responsible for border security and the people who live on the border.

Then I spent time talking to my friends. People who were born and raised here and came to the conclusion that no one can agree on exactly how the problems of border security and immigration should be fixed. I eventually found a way to address the issue in the book, but as you can see, my freaking process is not really solitary. Without input, I’m flying blind.

Filed Under: Writing

You Can Find me in my Niche

August 24, 2016 By Lynne

My niche in the world appears to be kick-ass women. But that doesn’t mean they’re all like Janice Bracken in Saving Emily. Janice is a giant leap in my evolution of heroines and is the extreme of my characters. She’s doing what she does by choice, while my previous two heroines were forced into their fights by circumstances. I realize that may sound odd because both Parker and Evie Davis were in the military, but neither held jobs that would necessarily put them in a combat situation.

In Protecting Parker, Parker Cotton found herself in a combat environment, but while she carried a weapon, she didn’t shoot. She placed herself in the role of medic and stretcher-bearer. She did all she could to take care of her people while the men who’d been trained to do the job, did it. She did the same thing when she came home. She was prepared to defend herself and the people she loved, but she recognized her limitations and accepted the help at hand from those more experienced. Evie Davis in A Shared Fear was a little more proactive, but she also wasn’t planning on going out to hunt down the bad guy. She deferred to the people with experience.

As I was writing these two books, I was also writing the Blood Link series about military vampires. Samantha Elliott, the lead character in the first book, appears to be anything but kick-ass. She’s a lousy shot, can’t throw a knife, and perceives herself to be a non-combatant. But kick-ass is more than the physical. Sam has all the courage of a great warrior and the smarts to recognize what she can and can’t do. I saved all of the physical skills for her teammate Becky Taylor. Becky’s a military cop who trains and competes with her male teammates. She’s the first real kick-ass woman I wrote. It was okay in the vampire books, but I wasn’t sure how it would play in the stand alone novels.

The first standalone book in which my heroine made the choice to take an active fighter’s role was Stuck in Korea Time. Brenda Livingstone never thought of herself as anything other than the first sergeant. It’s only when bad things happen that she understands the costs of doing the right things. Her active role in the search and rescue of Alan Jamison plays well to her skill set, but she spends a fair amount of time praying that she won’t make a mistake that will hurt her friends.

Then came Janice… I wrote Saving Emily during National Novel Writing Month in 2011. It was blunt and direct, nothing fancy, just a story about a kick-ass woman who behaved a lot like one of the guys. I figured if Rene Russo could beat up on five men in Lethal Weapon 3, then Janice could too. Janice is everything that my other women aren’t. She’s single-minded when it comes to responsibility, she black-and-white when it comes to violence, and she’s not afraid to kill if the need arises. She’ll do exactly what every male hero would do – whatever it takes to get the job done.

However, there has to be some realism involved. Whether it’s physical or emotional, an author needs to give the reader something human to connect to. If you don’t find that connection, the reader will dump the book and equate the character to something out of a comic book.

I knew Janice Bracken was going to be the most physically aggressive woman that I’ve ever written. So I opened the story with Janice worrying about her future in a career where forty might be too old. I let her wonder if she could walk away and live the quiet life of an ordinary woman. I led with her fear of aging because I believe we all fear getting older and not being able to do the things we love.

I didn’t soften the edges by much with C.J. McLean in The Embassy Guards. She’s sort of a compilation of the female Marines and cops that I’ve met. Tough, no-nonsense, smart, and funny when the opportunity presents. The term: adapt, improvise, and overcome really means something to her. And like most of the Marines I’ve ever met, she’s not going to run from trouble. No matter how ugly the situation she finds herself in, she’s going to move forward and do what needs to be done. Marines are trained to be team players so I led with isolating C.J. from the unit she’s assigned to. Who hasn’t felt like the odd-man-out when starting a new job? It was just a little more extreme in this case.

My next character is no less take charge. You’ll get to meet Sergeant Jackie Johnson of the Phoenix Police Department in my next novel, No Safe Haven, coming soon. Jackie has been tasked with protecting an eye witness that a violent drug cartel wants to kill.

Yes, I know my niche. Yes, I’m comfortable with it. Yes, I like the women that I write about. I hope you do too.

Filed Under: Writing

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