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Lynne

Why I don’t write Romance!

June 23, 2011 By Lynne

I soooo do not write romance. I’ve never once had my characters hearts stopped by the sight of breathtaking beauty or rippling muscles. My men don’t glower and my women don’t flirt from under lowered lashes. My guys don’t wear silk shirts, with tailored slacks that show off their “assets” and most of my gals wouldn’t recognize a Jimmy Choo if you poked her eye out with the stiletto heel of one.

My goal is to write stories about people who are more realistic – people that I might actually meet and would like to be around. I write fiction about two people (both human and vampire) with some type of military connection, who are in some sort of predicament, have to form a partnership to survive, fall in love, there’s some hot fooling around, and then they face the threat together, usually with a couple of cool friends. The sex isn’t the point of the story, it’s just part of the story.

Last year as I was writing Protecting Parker, I wrote myself into a corner and had to write an intimate scene from the hero’s point of view. There are a lot of things that I can imagine, but a man’s point of view during sex isn’t something I’d ever tried before. When I’d done the best I could with it, I called Dean to ask him if he’d read it and see if I got it even close to right. Dean writes – he should be able to help. It was then that I had one of the more unusual conversations in my life.

Me: “I’m not sure I have it right. Would you mind reading it for me?”
Dean: “Well, how long is it?”
Me: “About sixteen pages or so.”
Dean: “Too long.”
Me: “What?”
Dean: “Is he thinking a lot about what’s going on?”
Me: “Well, we’re in his point of view.”
Dean: “No. Is he thinking about how everything feels and comparing it to something else. You know, like about her skin being like silk type stuff?”
Me: “Sure. There’s some of that.”
Dean: “Get rid of all that. Men don’t really think about that kinda stuff when they’re in the moment.”
Me: “What?”
Dean: “Let me give you an example. You buy a new teddy and spend an hour getting ready. Bathing, primping, worrying about whether the color works or if the lace makes you look too fat, and all that other stuff. You walk into the bedroom and the very most a man thinks is, ‘Ooohhh, lace… boobs… lucky.’ Mostly the blood rushes from our brain and we just sorta go into reaction mode.”

The conversation went on for some time as Dean explained that men really don’t think the way we do. He said when it came to thinking, men thought a lot about sex, right up until it happened and then there wasn’t a lot of thinking going on. While we ladies might be evaluating the moment, men have a tendency to be sticking with the basics. A week later, I told him I’d rewritten it and taken out all the emotional content and compound sentences, thereby cutting it by more than half. Then he agreed to read it.

When one of my male beta readers finally read the whole book, he was appreciative that I’d kept things fairly simple. You’ll understand why I’m hiding his identity when you read this. I want you to have respect for my beta readers and this won’t help.

Him: “Thank God, it wasn’t all anniversary sex.”
Me: “What?” (I always ask such concise questions.)
Him: “You know most of the time sex is sorta basic. You really only go for all the fancy stuff on birthdays and anniversaries.”
Me: “Who does?”
Him: “Guys. All the extras aren’t really an everyday thing after the first year or so. You guys don’t show up in the fancy underwear every night and we don’t trot out our best moves. You know, everyday sex is sorta basic, birthday sex is better, and anniversary sex requires your best moves.”
Me: “Um, okay.”
Him: “Too much romance in books just sets men up for failure. We aren’t that sensitive or energetic on a daily basis.”

I’m reminded of the old adage: Never ask a question that you don’t want to know the answer to. So, I’ll ask Dean about computer stuff, Dave about specific weapons, Del about tactics and structure, my other Dave about military and tactical equipment, Gunny about bodyguard stuff, and my cops about cop stuff.

But, now you know why I don’t write romance.

Filed Under: Writing

Blood Link Now Available!

June 12, 2011 By Lynne

“Blood Link” by Lynne Scott.

Blood Link – where the military and vampires meet.

Technical Sergeant Samantha Elliott had always felt alone. But when Sam was assigned to a top secret satellite imagery unit, she found herself part of a tight knit group of military men and women who soon came to be the family she had always craved. In fellow team member Master Sergeant Jay “Cowboy” Evans she found even more, a man who she could spend the rest of her life with. But just as Sam and Cowboy discovered each other, they were ripped apart by a brutal attack that killed almost everyone on the team, leaving Sam alone again to face an empty future.

But everything that Sam has ever known or believed in is about to be called into question, when she is saved from death by Cowboy, the man she thought had died all those years ago. She will need all her strength to deal with the looming danger that threatens the family she has just found again. Sam must come to terms with what she now is and face a reality where vampires and the military share a dark secret…

“Blood Link” is available NOW for the Kindle via Amazon.com, and will be available soon for the Nook at BN.com.

Filed Under: Blood Link

Blood Link is coming!

June 10, 2011 By Lynne

I admit it – I’m a lousy tease. It’s one of those things that I’m not good at. A little flirting is manageable, but teasing is just a no-go for me. It isn’t that I wouldn’t like to be good at it, I’m simply not. There will be no confusion in my actions or words. No batting of the lashes or “accidental” brushes against you. I’m the kinda gal who is much more likely to look you in the eye and tell you what I want.

So I’m not going to drop little hints here and there about my Blood Link series. No sly references, no one line quotes, and no winks and nods. I’d have to hire someone with a clue to do that for me.

So like everything else I’ve done – I’ll go my own way again and instead of blurbing about my vampires, I’ll share with you some of the questions that generated the series: What if the United States had a military unit consisting of vampires? What would you use them for? How would you hide them? Who would be a candidate for transition? Would you take non-military vamps and put them through boot camp or would you turn special ops types when they fell in the line of duty? How do you keep them secret for so long? What happens when one goes rogue?

Then came all the questions about how my world works: Can my vampires be out in sunlight? Can they eat real food? Do they breathe? How often do they need to feed? How do they die? How long can they live? What skills do they have? Can they manipulate human minds? Do they believe in God? Do they suffer from bloodlust?

Literally hundreds of questions later I knew who my troops were and what their function was.

My military vampires exist in our world and operate a school where they teach escape, evasion, and tracking. Some are intel agents who travel the world gathering information while hiding in the shadows and eavesdropping. All of these are things vampires would naturally excel at.

Blood Link will be coming out in the next few days. What exactly is it about? It’s about military vampires, big trouble, demons, love, danger, sex, blood, violence, more love, more sex, more big trouble, more danger, more violence, etc. See, I told you I’m no good at teasing.

Filed Under: Blood Link

The Trouble with Titles!

June 5, 2011 By Lynne

Have you ever seen the movie The Green Berets? One of my favorite characters in that movie was Private Provo. Provo noticed that all the people who were killed in action had something on a military installation named for them, and it bothered him terribly that he couldn’t figure out what building would go well with the name Provo. Throughout the movie, Provo worried about what they could name after him because, whatever it was, the name needed to “sing” to him. With his dying breath, he asked John Wayne to take care of that issue for him, and at the end, we see “Provo’s Privy.”

Well, much like Provo, I want the titles of my novels to not only reflect something about the novel, but I also want them to “sing” to me. There are times when I have considered banging my head against the wall in frustration as I try to figure out an appropriate title for a novel. Protecting Parker had the working title of “The Shirt’s Tale.” Several people had made suggestions for titles, but none of them really worked for me. My husband’s niece Heather was the one who came up with Protecting Parker, and from the moment, I saw it, it sang to me.

I didn’t have a clue what I was going to do with my military vampire series. The working title was “Sam’s Story” for the longest time. Eventually, I woke up and smelled the coffee. I was writing the explanation of the Blood Link that is unique to this group of vampires, and there was the title. As I laid out the next books, I called them simply Blood Link Two, Three, and Four, but then one day, I had the reality check that each of these books was about a specific member of the team and the names fell into place. Blood Link II – The Doubter, Blood Link III – The Civilian, and Blood Link IV – The Damaged.

Sadly, that group was the only thing that’s been reasonably easy to title. My next stand-alone book has been untitled since its inception. I often refer to it as “Evie’s Story” based on the lead character’s name or sometimes as “The Genealogist and the ATF Agent.” They are working titles that simply keep me from losing the books in the shuffle. Then a random trip past the Harlequin rack at the bookstore polluted my brain and transported me to a very bad place that I will call “Bad Title Land.” Did they run out of interesting titles? I won’t use the real ones because this isn’t about abusing an individual author who may or may not have had any say in the title. This is about the broader problem of titling a book. But here are some examples that are pretty close to the real ones: Administrative Assistant by Day – Mistress By Night or The Billionaire Heir and the Hot Nanny, The Cowboy CEO and the Secret Baby (it’s not really a secret if you put it on the cover) or Katie and the Cop. I think you get the idea. The books suddenly stopped sounding like romance and a lot more like bad 1970s porn.

At the same time, I get the marketing strategy – you know exactly what you’re getting. No need to waste any of your precious time reading a blurb to find out what the book is about. Now, before you send me hate mail for picking on Harlequin, let me just say that company doesn’t have a corner on the market for bad titles. Many of its titles are actually quite good. Its rack simply happens to be a place where you can see a lot of them in one spot. It’s kind of like a watering hole on the Serengeti. Eventually, every type of animal is going to show up. Some good, some not so good, and some that you never want to see when you don’t have a gun with you.

At that point, finding an appropriate title for Evie became a bit of an obsession. I’d burn the novel before I’d allow my work to be published with the title of “The Genealogist and the ATF Agent.” As my first round of beta readers began to work their way through the book, I asked them to send along any ideas for a title. I’d hit the jackpot with Heather; maybe I’d get lucky again. There were quite a few suggestions. Some were amusing, some were completely inappropriate (my ex-military members are often a crude lot), and a few of them were interesting enough to be worthy of consideration. In the end, I found it myself within the story. A Shared Fear is the title. Simple, effective, and appropriate.

Blood Link and A Shared Fear will be coming out this summer.

Filed Under: Writing

Speak His Name on Memorial Day

May 27, 2011 By Lynne

Sometimes I find it impossible to tell you in a meaningful way exactly how I feel about certain things. You have by now figured out that I am rarely at a loss for words, but there are times when the words don’t seem to convey what I want them to convey. I don’t want to sound like a damn Hallmark card, nor do I want to sound preachy. But when it comes to certain things – you either believe or you don’t.

I believe that God abhors war, but holds a special place in his heart for warriors.
I believe in heaven and I know “the streets are guarded by United States Marines” and the U.S. Air Force is responsible for the flight path of angels.
I believe that God holds the common soldier, sailor, airman, and Marine in the same high regard as the most elite of any of the warrior ranks.
I believe that God holds a peaceful place in heaven for those who cannot find peace within after serving here on Earth.
I believe that “there are no atheists in foxholes.”
I believe that angels walk among us in battle and they answer to the names “corpsman, medic, and doc.”
I believe that as long as I remember someone and speak his name then he still lives.
I believe that the dead hear their names and find comfort in our remembrance.

Memorial Day is about the men and women who died while in military service. I appreciate that some now wish to make it about all those who served and I’m happy to include them too. But when I speak my names on Monday, it will be the names of those who actually died in service.

Two of the names I will speak this year when I raise my flag are neither family nor friend. They are men who came to me in other ways:

Major Richard Kibbey, Missing in action near Mu Ghia Pass on the Laos/North Vietnam border. 6 February 1967. He was the copilot of Jolly Green 05 (tail #65-12779) which was shot down while attempting the rescue of a downed pilot. I’ve had his POW bracelet since 1973.
And,
Private Rolland F. Revels, 2nd Ranger Battalion, who died 6 June 1944, and is buried in Colleville Cemetery in France. On D-Day, Dog, Easy and Fox Companies landed at Pointe du Hoc and members of Able, Baker, and Charlie Companies landed at Omaha Beach. You’ll find a large number of those brave young men in Colleville. I don’t know Private Revels family. I found a picture of his tombstone while I was researching for one of my stories and his name spoke to me. I have named a fictional military base for him in one of my books, and now I will speak to him on Monday and thank him for his service.

Based on my very simplistic belief system, I’m sure you will know where to find me at dawn on Memorial Day. I’ll be raising my flag, and I’ll be speaking their names.

If you don’t know someone personally, or you don’t have an ancestor lost in service, you can click on any National Cemetery and pick a name to honor or click on an image of the Vietnam War Memorial and select a name from the wall.

Filed Under: Featured, Personal Commentary

The Best Beta Readers

May 21, 2011 By Lynne

How would you feel if after months of hard work, your reader looked at you and told you that she didn’t like your lead character? In her words, “I hate her! She’s too accepting of her situation, she’s needy, and a wimp.” I was floored. That is so not what I was going for and definitely not how I saw the character. The simple truth was that I hadn’t done my job. I failed to put on paper, what I heard and saw in my head. My reader was only shown the external situation, not the internal conflict that I knew was occurring. I had become too close to my story and failed to share the details with my reader.

So what makes a good beta-reader and how do you find one? Finding a reader is rarely a problem. The real trick is finding a quality one. We all begin with our family or close friends, but they’re not always the best readers for us. One of my oldest friends loves to read and I shared my first book with her. Her praise was effusive. She laughed, she cried, and told me how much she loved it. But she was unable to share with me exactly what it was she loved about the story. There was also nothing about the story she didn’t like. No issues, no problems, and sadly – no real feedback. While my ego was stroked, the truth is that it wasn’t helpful to me. No matter how often I try to tell you how perfect I am, we all know I’m only mostly perfect.

Most writers will go through more than a few readers before they establish a core group of people who they can effectively communicate with. Most of them read the whole story, but some of them read only bits and pieces as I’m working. They are a pretty eclectic group. Three retired attorneys (and no, I have no idea why I know so many attorneys), my stylist, a literature teacher, a graphic designer, a gun shop employee, a crime lab employee, a librarian, two logistics specialists, two retired English teachers, a police officer, and two published authors. Many of them are ex-military. A combination of Air Force and Marines (not that you ever use the term ex with a Marine) and several with a security forces background. Six of my readers are men. While they may not be my target audience in every case, they look at things differently than women do and their feedback is often about more practical things. They also help me keep my male characters more true to the image I’m going for. My favorite Marine pointed out in one of stories that if my male lead was any kinder and gentler that he would be in danger of losing his standing in the “real man club.” Sensitive only goes so far, and I was crossing the line.

Good beta-readers ask questions and make notes as they read. They are curious about your characters and your settings. Often they are the people who notice your character sits twice without ever having stood up. Or worse, they have one too many hands. They catch the accidental name changes that happen: Carolyn becomes Caroline and Krista becomes Krystal. My lead character in Protecting Parker is Gray, but occasionally my fingers experienced dyslexia and I typed Gary. The betas had a field day with that one. They also find the missing words and wrong descriptions. Why is a happy guy glowering? Did you mean principal instead of principle? Why is he eating lunch in one sentence, but it’s a clear, cold night in the next one? My betas also point out things that they feel may be out of character. One of my favorite notes read, “You keep using the term, ‘she explained patiently.’ Why patiently? Aren’t these men supposed to be smart? Why are you making them look stupid? Or is she just being a bitch?” My male beta-readers could have cared less about that, but complained that I didn’t tell them enough about the things she was “patiently” explaining to them at the time.

Each of my readers brings something different to the mix. Dean is my tech guy and he corrects my terminology when I discuss anything in the computer, internet, or phone world. My weapons guy makes sure that I keep all my weapons and components straight. My logistics, cops, and ex-military point out flaws in their areas of expertise, and my civilians point out the things, as non-military, they didn’t get. And my attorneys – well, they are the detail oriented people that ask some of the most unique questions. One was curious about the dichotomy of my vampire believing in God. Our discussion of vampires and religion occurred over lunch one day, and in the end, I realized that once again I had failed to share the inner conflict of my character with the reader. The questions they ask, force me as a writer to do a better job of getting what’s in my head, on to the page.

The other thing to keep in mind is that you need to tell your beta-readers exactly what it is that you expect of them. Do you want them to make notes, do you want them to look at something specific, or is this a first read to see if the timeline makes sense? Do you want them to “rewrite” or simply suggest off to the side? If I send a section that I’m struggling with, I will sometimes ask for help and people are welcome to put a lot of ink on that paper. But when it arrives in a finished form, I’m not looking for a rewrite. I don’t mind suggestions when there’s a problem, but I hate it when someone thinks they should just rewrite my paragraph. I’d rather have someone say, “Perhaps this might be better as…” or “I heard it this way in my head…” On the other end of the scale are the readers who are simply too nice to be “direct” and they need to be encouraged to say what’s on their minds. Some of them are afraid of hurting my feelings, but I’d much rather hear it from my beta than hear it from a critic after the fact.

The most important quality of a beta-reader is also the toughest for any author to deal with. Honesty. My beta needs to be direct without being offensive. The focus needs to be on the writing not on me. And they often need to be brutal, no matter how distasteful. When my friend Jennifer told me she hated my lead character, she was brutally honest. She was also terrified that I’d hate her for that honesty. While it wasn’t what I wanted to hear – it was what I needed to hear. What made it easier to deal with was that Jennifer made it about the work. It wasn’t personal and there were no emotionally charged words in what she told me. Never once did she say that I failed, was unskilled, a poor writer, or that I was an amateur in my approach, or in any way unprofessional. Jennifer took the time to explain the things that were bothering her, even pointing out the places in several chapters where I had failed to make her see my character as a real person. Talk about eye-opening! While I won’t deny that it was painful, I will tell you that it was the best thing that’s ever happened to me as an author. Someone slaughtered my work, burst my bubble, tore my story to shreds, but she didn’t attack me. Now that’s a beta-reader!

Filed Under: Writing

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